Lebenswut (1986)

Bemerkungen:

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T H EFI L M SO F
                 O L I V I E R
       A S S A Y A S
D I S O R D E R     W I N T E R ' S  C H I L D
I R M A  V E P      D E M O N L O V E R
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                   A R R O W   V I D E O
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4 Filme von Olivier Assayas auf 3 Blu-rays.
Box Set (Maße: B13,7 cm x H17,3 cm x T3,4 cm). Bestandteile:

• Dünner O-Ring-Pappschuber mit Öffnung am rechten Rand (vorne: Cover-Art mit Arrow-Logo und BBFC18-Logo, hinten: Inhaltsbeschreibung und technische Details zu allen Filmen, Spine: Box- und Filmtitel, Arrow-Logo, Unterseite: EAN-Code, BBFC18-Logo, technische Informationen)
• 3 dünne Elite Keep Cases (transparent) mit jeweils einer Blu-ray, inklusive Wendecover mit alternativem Artwork
• Werbe-Einleger in Keep Case #1 mit Werbung für Monster A-Go-Go und für den Arrow-Streaming-Kanal www.ARROW-Player.com
  

Nach Einlegen der Disc erscheint ein Einspieler mit Copyright-Hinweisen und Arrow-Logo (0:19 Min.)

Das Menü ist musikalisch untermalt. Im Hintergrund laufen Szenen aus dem Film.

Menüpunkte:

• Play Film
  
  • Disorder
  • Winter's Child
    
• Special Features
• Setup

Der Hauptfilm ist in 12 Kapitel unterteilt (kein Kapitelmenü).
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Herstellerangaben von der Arrow-Homepage:

Now recognised as one of French cinema's finest talents courtesy of such modern classics as Carlos, Summer Hours and Clouds of Sils Maria, Olivier Assayas started out as a critic and screenwriter before making his debut feature as director in 1986.

Disorder tells the tale of a post-punk band whose friendships are tested when a music store robbery turns fatal. It marked Assayas as a talent to be reckoned with. The intimate story of Winter's Child built on that reputation and showed his remarkable gifts with actors, while in Irma Vep Assayas turned his attention to the French film industry to provide a mid-90s amalgam of François Truffaut's Day for Night and Rainer Werner Fassbinder's Beware of a Holy Whore, delighting audiences around the world and featuring a stand-out turn by Maggie Cheung playing a version of herself. Meanwhile, the startlingly prescient neo-noir/cyberhorror masterpiece Demonlover, takes a darker turn to present a chilling exploration of the nexus between sex and violence available at the click of a button, riffing on Cronenberg's Videodrome and with an iconic score by art-rock pioneers, Sonic Youth.

Witty, heartfelt, and daring, Assayas remains one of the most interesting international filmmakers working today. No two films are quite alike. His work is vital, unexpected, and unmissable for any true lover of film.
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Zu den Fassungseinträgen der weiteren Filme:

• Disorder
• Winter's Child
• Irma Vep
• Demonlover